OK, its the "end of the pier show" - let's analyse it a little further:
Click to view attachmentLets look at the horizon-line first. I've marked that in green - I've deliberately left it at the ends, so you can see the sea-level at the horizon.
I've marked approximate floor-level at the widest point of the pier in red.
I've marked the width of the walkway at the point where the pier widens out, in blue, and the approximate floor level there.
(Ignore the orange lines for the moment, I'll get to them, shortly)
So, how far above the ground-level is our eye-line here? Well we are standing on the pier, and the pier is above sea-level, so we have to be the height that the pier is above sea-level, plus the height up to where the camera is being held.
Note that the green horizon-line cuts through the people standing at the end of the pier at upper-chest level - so that's telling us that our camera position is a little low, as compared to them.
Now remember, we said that
horizontal lines receding towards the horizon end at a vanishing point on the horizon - now I've drawn the edges of the pier in orange, and when we extend the lines until they cross at a vanishing-point, we find they are NOT on the horizon, but
above it! So, what's going on? Have I drawn them inaccurately? Do our rules not work? But again, remember we said that
horizontal lines receding towards the horizon end at a vanishing point on the horizon - is it possible that the pier is NOT, in fact, horizontal - but that it actually is a gentle ramp upward? This IS what is going on here, and that's why the VP is above the horizon.
We have further evidence that this is the case by examining the fence around the end of the wide part of the pier. Note that this extends
above our eye-line/horizon-line - but surely it can't be higher than people at the end of the pier, or they would have no view out to sea. Furthermore, it doesn't appear significantly taller than the top of the pier near us - and that's certainly below our eye-level.
We can also remember that we noted the eyeline in relation to people at the end of the pier was that it was at their mid-chest level - which, if the pier was horizontal, would imply we were also holding the camera at mid-chest level - if, however, we were holding the camera at eye-level, or just a little lower (as is typical of a camera in a tripod), this would also be consistent with our other observations suggesting that the pier gently slopes upward.
So, as I said, its not quite such a simple subject after all, but perspective does still apply, and we can even use our knowledge of it to make some quite sophisticated deductions about
exactly what we are looking at

Dave